|
Most anglers anxiously await the return of the pictures from the
last fishing trip. They tear open the envelope expecting magazine
cover shots of the huge fish, beautiful scenery and beaming companions.
However, we all know that Murphy was an angler before he became
an office boy, and if something can go wrong, it will. The pictures
are often disappointing, the fish seem smaller, your buddy doesn’t
look happy and if he is, he doesn't show it, and
there is a dog in the background watering your knapsack. If you
don’t
want to apologize for the pictures or be embarrassed to show them,
here are a few hints.
Fill it up
Fill the frame with the angler and the fish. Most fishing
picture are taken much too far away. It makes the angler and the
fish look
small. You can include some background if it is important to the
picture but close-ups are usually the best. Don’t extend
the fish out to the camera but rather use a wide angle and get
as close to the fish as possible. Pictures taken horizontally draw
attention to the subject and the background. Vertical shots emphasize
the subject. Try both for different effects.
Real close
Try taking some real close pictures, as close as your
camera will allow. A head shot with the fly or lure in the mouth,
a fish
half-in
or half-out of the water, or a head on shot can be extremely
effective. A picture of the tail of the fish at the moment of release,
can
show the explosive power of a strong fish.
Look at fish
The important area in the picture is the fish and
the eye should be drawn to that point. Once a friend was taking
a picture
and
I looked into the camera with the usual cheesy grin common to every
angling picture. He told me he didn’t want to look at my
ugly mug, he had seen it many times before. This picture was about
the fish so look at the fish. It is to this day my favorite angling
photo of myself. The viewers eye is drawn to the beautiful steelhead
and the snowy October morning for a memorable picture.
Focus
Determine beforehand what part of the picture you want in
focus. A high f-stop means more of the picture is in focus but
also means
slower shutter speeds, tripod use or higher speed film (All previous issues are stored in the ARCHIVE for
your convenience)
|
Narrow depth of field means only a small central part of the
subject may be in focus. If the background will detract from
the subject use lower f-stops and higher shutter speeds.
Background
Don’t
forget to check the background. Compose the shot to remove all
unwanted objects. If you want the shot to look like the wilderness
then check for garbage, power lines, vehicles, other anglers, logging
scars etc. As mentioned at the start of the story, my buddy had
told me of the shot he had taken of his best ever steelie on the
fly. When he got the picture back there in the background was a
dog urinating on his pack. To say he was PO’d was an understatement.
Plan ahead
Things can get hectic when you are landing a fish so
plan ahead. If buddies are going to use your camera make sure they
are
familiar
with it’s operation ahead of time. It is no time to learn
in the heat of battle. I have a photo of my biggest steelhead,
a beautiful shot of the fish but my partner of the day cut my
head
off on all
photos.
Let them live
Studies show that a fish out of the water for more
than sixty seconds has only a 60% chance of survival. Plan your
pictures
and have the photographer compose and focus the shot. Lift
the fish, take the picture, and get the fish back in the water
as
quick as possible.
Flash
Most cameras now have a built in flash. Fill in flash is
underused and should be a part of many of your pictures. On a bright
day
fill flash can fill in the shadows under the angler’s hat.
If 6he sun is too bright the angler may be squinting. Turn the
angler around and use the fill flash to prevent silhouetting. Early
morning and late evening shots invite the use of the flash for
effect. Make sure the angler removes their sunglasses for all shots.
Don’t use flash for close shots.
To get the beautiful detail and color of the fish you may have
to tilt the fish up or down to prevent glare. Experiment with the
angle to get the best focus.
Professional photographers will tell you it is only film. Take
lots. Or try a digital camera for no film costs. One of those pictures
may turn out to be your magazine cover.
Check for new photos on the Photo
page
....................
and past photos on the Slideshow
|